DARK SHADOWS 584
DARK SHADOWS 584
“But don’t worry, Maggie, you’re
safe just as long as you’re with me.”
“Julia, you’re using common
sense again. When did common sense or reason ever mean anything to Adam?”
“Now, we must only think of Vicki
and the family. There’s only one way we can save that family.”
KLS, no reprise. Barnabas is
in the lab. Julia has big ear rings. They guess that Willie kidnapped Maggie. Julia
gets an IDK.
Barnabas flub, “Use Julia…use
Maggie.”
Willie carries Maggie into
the mausoleum. Even HE later admits he should never have brought her there, as
stated before, too many people know about that room although it’s possible
Willie thought it was a double bluff: since Barnabas and Julia both know about
the room there’s no way he would ever hide her there!
Barnabas gets his own IDK. “It
may be too late to do anything now.”
He also flubs, “It’s all…we’d
never be able to cover this…”
During a calm talk between
Barnabas and Julia we get a LOUD dramatic music cue, large and imposing…Julia
thinks they will have to find someone else.
NOTE: the subtitles have
Julia says, “Barnabas, why do we have to use Greg,” instead of “Maggie.”
Barnabas asks who and she
says, “I don’t know.” She adds, “I could
do it.” Barnabas is opposed to that. He
also flubs big time, “Who I…uhm, fit into that.” Julia suggests Jeff Clark can do the
experiment while she donates the life force. Barnabas won’t let her do it.
Julia flub, “Adam will go
through his threat…go through WITH his
threat.”
As the scene shifts to the
cemetery, the music whines as if distorted.
Willie vs a recovering
Maggie. Maggie asks when it will all be over. Willie: “I don’t know.” Maggie’s hair is auburn. She remembers the
room and KLS is very very good in this episode and this entire storyline.
Willie asks, “Don’t you
understand,” and Maggie answers, “No, I don’t understand!”
She had two months of her
life missing that she could not remember and Windcliff figures into it. She
remembers a woman brought her to the mausoleum. We get a strange sound as the
flashback happens. Josette tomb reads: 1774 to 1795. In the flashback, Julia asks Maggie if the
name Josette means anything to her and Maggie says IDK. Sort of a Maggie voice
over.
Josette music plays and stops
and starts during the flashback. Julia brought her to the mausoleum.
In the flashback, before Julia
ever touches the gate to the mausoleum, it opens by itself. This makes me
wonder if this is Maggie’s perception of the past and also makes me wonder if
this flashback is a redo or an actual clip of the past episode? Maggie looks
more like she does NOW than then. Julia’s hair, however is her old style…or is
it made to look that way?
WIKIA has this: FLASHBACK:
Maggie remembers when Julia took her to the Collins mausoleum. This scene was
originally shown in 283. It has been re-staged for this episode as the series
was still broadcasting in monochrome when it was originally shown. The sequence
also uses an extraordinary number of dissolves between shots.
Another thing of note are the
dates on Naomi’s tomb stone. It’s hard to see in the dark shadows (!) but the
look wrong.
WIKIA says this about Naomi’s
tombstone: As illustrated in episode 210, the dates on Naomi’s memorial plaque
at the Collins family mausoleum read 1761-1821.
In 210, the Collins family
mausoleum shows the following dates: Joshua Collins: Born 1755, Died 1830 and
Naomi Collins: Born 1761, Died 1821. However, in 458 Naomi's death is shown
on-screen to occur in the year 1796. Accordingly these dates have been adjusted
in order to retain the originally stated ages at the time of death and the age
gap between Joshua and Naomi.
So, Joshua's becomes: Born
1730, Died 1805 and Naomi's becomes: Born 1736, Died 1796. If Naomi Collins
were born in 1761, as originally stated, that would make Naomi
thirty-five-years old at the time of her death. Given the relative age of
actress Joan Bennett during filming of the 1795 flashback storyline, it becomes
highly unlikely that Naomi was actually born in 1761.
It could be explained that
Naomi’s excessive drinking made her physically appear to be older than she
actually was, but that still doesn’t account for her age in relation to her
family members. If the 1761 date is to be considered canonical, then she would
have been little more than a child when she gave birth to her son, Barnabas.
Naomi Collins’ actual last
appearance is in episode 458, but her death is not confirmed until episode 459.
Naomi’s tombstone seems
purposefully unable to read.
The gate squeaks before opening
and seems to open before Julia touches it but it is difficult to see. This
could just be Maggie’s memory of the actual scene rather than the scene itself.
“It’s all so clear and yet IDK
what it means.”
Extreme close up on Maggie.
She asks Willie who tried to kill her. Willie worries and frets and tells her
to forget all about this. He frets that he should never have brought her here.
She knows he knows. Willie says, “I don’t know nothing.”
Barnabas and Julia come back
and then Julia tells him they can go out and look for Willie. BUT didn’t they
just come back from that? Julia suggests they tell Adam the truth.
Barnabas tells her, “When did
common sense and reason ever mean anything to Adam?” He gets a rifle from the slated doored room
and announces the moment Adam steps through the front door, he will kill him.
Review: Despite the over long
flashback, this is still fascinating and riveting. Compared to almost all of
1968, this is the best storyline and probably one of the best DS storylines
ever because it means something. Ignore the way it ends…because it is just
great. Everyone steps up their acting game despite the flubs and even the
flashback is intriguing and shows how much Julia has changed if nothing else.
Far be it for anyone to
forget what Maggie went through, even if she herself forgot the symptoms
even…notice how she didn’t recognize what happened to Joe or what is happening
to Joe.
In any case, the next few
episodes are even better and to be honest, this is DS at its very best,
recognizing its past while taking it to a new level of drama without the overly
stupid stuff they did later on in Leviathan with Vicki’s past and Jeff’s-Peter’s
past ending so horribly. For now just enjoy Willie, Maggie, Barnabas and
Julia’s dilemma. It can’t seem to end well but that’s another story.
Dark Shadows bloopers to watch out for:
Okay, here we go.
In the teaser, when Barnabas says, “Where else could she be?” the boom mic drops into the shot.
In act 1, when Barnabas says, “It might be too late to do anything now,” there’s a scraping sound from the studio.
Barnabas says, “Julia, it’s already dawn! It’s all — we’d never be able to cover this entire area by tonight.”
When Barnabas says, “What if he didn’t take her by force?” there’s a stray music cue — a huge dramatic sting that they use for big cliffhanger moments.
Barnabas says, “But even so, they’re far enough away by now that we’ll never get them to by tonight.”
As Julia walks around the table, we see the boom mic at the top of the frame, the edge of the set on the left, and the studio lights.
Then Barnabas says the line I quoted above: “Well, because if you were to conduct the experiment, who — how can I — uh, fit into that? You would be giving the life force.”
Julia says, “We both know that this time, Adam will go through his thr — with his threat, won’t we?” At the same time, there’s a weird tapping on the soundtrack.
When they transition from the Old House basement to Willie and Maggie in the mausoleum, there’s another stray music cue — one of the sweet woodwind pieces that’s usually meant for a happy morning scene. This overlaps with the correct music cue as the mausoleum scene begins, and the woodwinds fade out.
To introduce the flashback, Maggie looks off into the distance and tells Willie what she remembers. But there’s also pre-recorded narration over the flashback, and Maggie overlaps herself. There’s also a weird echo for the first sentence of the flashback narration.
At the end of the episode, when Barnabas grabs his gun, he says, “We must think only now of Vicki.”
Behind the Scenes:
Maggie’s flashback is based on a sequence from episode 283, which aired in July 1967.

















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