BATMAN 19-The Purr-fect Crime and 20-Better Luck Next Time
BATMAN-season
one, ep 19: THE PURR-FECT CRIME
More like
the perfect episode. Unlike most other episodes, Cat Woman doesn’t appear on
the scene until about seven minutes in. Her first crime on the series is her in
the dark (I’m not even sure it’s Julie Newmar in the opening). It’s also not
explained if the police man attacked by the cat survives but this opening makes
me realize how creepy a concept Batman and his whole world really are. I’m
saddened to read that the Bengal tiger used in this episode bit through a wire
and was severely shocked. Actor Joey Tata claimed not to know if it died or not
but it just went nuts. Awful.
What’s not
awful is this episode and this episode is probably the best up to know. I
realize the footage of the Batmobile pulling up to Gordon’s office is the EXACT
same footage EVERY time as the women in the front of the street are the same
women.
While music
was always top notch, the show begins to find a firm footing in the music here
and the cliffhanger music is outstanding. The cliffhanger being that Batman has
to choose one door for Catwoman and another that might be the tiger. He gets
the tiger. Robin has been scooped up by a tube. The address for the Gato and
Chat Fur Company is the writer’s address. This episode, smartly so, was the one
used for the fantastic VIEWMASTER reels.
On a side
note, I often wonder if Aunt Harriet already knows that Bruce and Dick are
Batman and Robin. How can she not?
Newmar DOES
NOT blink once during her terrific Catwoman portrayal. There’s none of the
sexual tension between she and Batman yet and she seems more bent on a sort of
revenge for their past encounters but Newmar is fantastically wonderful in this
role and it is difficult to take your eyes off her. She also, despite the meows
and corny jokes and dialog seems to come off as highly dangerous and disturbed,
none of the redeeming qualities often displayed in the BATMAN movies (bar this
version’s movie after season one), comics,
and other TV shows (GOTHAM has her as a hero as does at least one
Christian Bale movie). The presentation of her claws first is a good one and a
spooky way to introduce her.
It’s
unbelievable that Catwoman only appears in this story for season one (two eps
only) and sad that Julie could not appear in the BATMAN movie and while I love
Lee Meriweather in both THE TIME TUNNEL and BARNABY JONES she was not a great
Catwoman at all.
So, the
music is superior in this episode, the first really fantastic female villain
makes her scene and frankly, upstages all the past villains including Riddler,
Joker and Penguin, though they are great. The plot is fast and the fights quite
good though this time, while Robin in in a sarcophagus, the focus of mine is on
Batman and his stand in is almost as obvious as Robin’s. The spiked walls were
interesting as they moved toward Batman and Robin and we see a power cord run
from the atomic furnace to the Batmobile.
I’m not sure
if we saw this before but here we see from the Batmobile’s perspective as it
leaves the cave and goes out the exit. It’s impressive.
All in all,
a superior episode.
BATMAN-season
one, ep 20: BETTER LUCK NEXT TIME
“Catwoman,
you are not a nice person!”
This is one of my favorite stories
so…here goes…
Robin
weights 132 pounds and 10 ounces. The larger henchman carries Robin to the pit;
the shorter one caresses his legs to check the straps!
Batman uses
stickers to find his way in the maze, something done years later by Tom Baker’s
Doctor (DOCTOR WHO) in HORNS OF THE NIMON.
Suddenly in
between scenes, someone’s taken the straps off Robin! Not that we’ve seen.
Jeepers, in the resulting fight, Robin’s pretty useless, he gets choked by a
chain, knocked into a chair and more. Oh and the stunt man has hair on his
arms. The stunt man for Batman is also pretty noticeable, too, as he is choked
over the pit of tigers.
Gordon talks
to someone named Charlie. When Robin calls him he tells him that they’ve captured
one of Catwoman’s mob…but…didn’t they get two of them? As he hangs up, Gordon
says, “…and good luck,” then looks right at the camera and says, “…to all of
us.”
Batman
drives down the center of the road. Catwoman’s phrase, “Pussy Willows Galore,”
could be reference to GOLDFINGER. Uhm,
Robin’s noticed that Leo’s big feet, “Only one man has feet that big.” What?
The music as
the Dynamic Duo chase Catwoman through the caves (I’m not sure but I thought
this was supposed to be under or near the Batcave but maybe I got that info
from the VIEWMASTER book, books which sometimes used the original scripts or
ideas as reference?) is outstandingly good.
A few
things. It seems to me that BATMAN could have saved Catwoman by going to the
other side and pulling her up but he seems to just watch as she falls down the
pit. He calls the pit bottomless and then two seconds later tells Robin that
she probably fell straight to the bottom. It IS touching that Robin feels bad
as he calls for Catwoman, hoping she is alive. The truth be told, she’s rather
unsympathetic in this story, which she won’t be in future ones (?). And there’s
not even a hint of anything romantic between Catwoman and Batman, at all.
I like them
finding the cat at the bottom and the whole epilog with Aunt Harriet and the
cat. Not sure why Bruce suddenly passes the cat to Alfred who passes it to Dick
who seems to cuddle it but it’s a nice ending.
So this was
actually rather a straight forward adventure. No one mentions if Leo’s end was
an actual end or not. Catwoman, despite her one dimensional character here,
makes an interesting mark and the soundtrack is even amped up more for this
story. It’s entertaining and adventurous though the stunt men being noticeable
on High Def does subtract from it all. There’s even a mine field for the
Batmobile but I think more should have been made out of that sequence and we
see the Batwheels get unflat. Oh and there’s no supernatural background for
Catwoman at all, in fact, no explanation for her at all. I also wonder if that
backdrop in the cavern is from the JOURNEY TO THE CENTER OF THE EARTH movie.
Next time:
the return of the Penguin!
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