SPACE: 1999-SPACE BRAIN
SPACE: 1999-SPACE BRAIN
Well, there are those who might look at this and scoff,
seeing only bubble bath foam. Frankly, I don’t get those people who do that
because at the heart of this is a sensitive, daring, scary, and touching story
that is also quite sad in a way.
The more I watch this the more I wonder if the brain was
holding back in the end and sacrificed itself to save Alpha for some reason
even though there was at least one galaxy, maybe hundreds of galaxies or more
depending on the brain for survival. Perhaps, it didn’t want to kill or couldn’t
even though it, horribly, destroyed Eagle 1, probably without realizing it or
what it was, just an anti body attack killing a foreign invader.
I don’t understand why no one thought about the nuclear
charges possibly bouncing back at Alpha the way Eagle 1 was turned into a
horrid meteorite and sent back to Alpha, probably by mistake, too. The brain
just wanted to survive. What I don’t understand is Victor told us that the foam
in sufficient quantities could destroy just about anything. Was he wrong? Why wasn’t
the Moon itself crushed? This is why I think it held back, certainly the anti
bodies were capable of covering the entire moon but didn’t. AND doesn’t Alpha
have any portable computers so Kelly could have been moved?
His wife (yes, the script seems to say Kelly is her husband
but on screen it’s not stated) Melita Janni seems to be Italian and certainly
not American or British.
One of the most beautiful things in the entire series is John’s
connecting to the brain but what did it accomplish? Just finding out it is not
malevolent and that it supports hundreds of galaxies---was that worth
endangering John’s life? Was more to be found out?
The space walks here are wonderfully done and again, to
disprove those who think there is no characterization or no warmth in these
characters, Alan won’t abandon Kelly, Kelly’s wife really does seem to love
him, Helena holds John’s hand and he smiles at her, Victor pulls a worried
Sandra away from the windows as the foam rises and he smiles, trying to calm
her, and more.
I love Helena’s dedication to her patient and Mathias when
she leaves Main Mission to return to Medical Center to help him and Kelly.
Again, Landau is great as a man who is desperate (ordering Alan to abandon
Kelly for one thing) to save Alpha and Helena but who is NOT willing to risk just
using brute force all the time as his scenes trying to understand what Kelly is
doing show he is not willing to just shoot first. On the other hand, he does
send nuclear charges into the brain so…there’s that.
With all the faults of this strange episode, I still like
it. Life starts out on Alpha in this episode and I’m not sure what five hour
barrier Sandra was talking about and that Koenig broke…I guess people stay up
five hours and no less because John is under that time before going to sleep?
What?
Also on the other hand from the fact that everyone cares
about Kelly, John does order Alan to abandon him but other than that, no one
seems to upset that Wayland and Cousteau were horribly killed and turned into a
meteorite, crushed in their Eagle. I mean they show mild concern but the two
men’s deaths, as often happened in STAR TREK when crewmen died, seemed to have
little life changing effect on the Alphans (this was corrected in season two
where Helena shows a lot of grief for the two men that die in THE METAMORPH).
I’m also not sure the end quote, a lyrical one from Helena
rings true. They couldn’t communicate but somehow they did through John through
Kelly and yet it amounted to almost nothing. WHY? Why couldn’t the brain
transmit through John? It gave him info and even through Kelly, later, came up
with a plan to increase the Moon’s rate of spin
The music used is MARS, THE GOD OF WAR along with the other
standard (but wonderfully great) soundtracks from other episodes. It’s all
effective.
Sensitives, like myself (at least I hope) will feel sad as
the foam attacks Alpha in a bid to try to save itself and all the planets in
galaxies that depend on the brain for survival. What made the fault in the
Eagle at that moment? What made the brain not destroy the entire moon? What
helped Alpha survive? Clearly there might be two MUFs or at least one mysterious
unknown force at work here. Would it be for one and against the other? Or was
it just trying to counteract what was preordained?
Again, there are different ways of looking at this episode
and indeed, this series. BUT those who think this is just a brain attacking
Alpha because Alpha is on a collision course with it and the foam episode are
just unimaginative, perhaps cold, and imperceptive critics. At its heart, flaws
and all, there is a sensitive and melancholy spirit but despite its tragedy (the
loss of Kelly and the death of the space brain, if indeed it was totally dead?!---we
have only John’s word for it and other things have died and the Alphans been
unaware of it returning from death) needed-to-be-told feel about this episode.
A few photos exist of Alan fighting a possessed Kelly which
makes no sense as per the episode. THE TRIPODS second season has the same
writer here use the image of a bunch of aliens who are the master of the Tripod
aliens who …are Cognoscs…a bundle of light and energy who looks like nothing
and is a space….brain. More info: see below:
THE best site for all things SPACE: 1999:
https://catacombs.space1999.net/main/epguide/t20sb.html
All in all a satisfying episode which seems more and more
strange and puzzling each time watched.
My review from 2012:
SPACE BRAIN
Wow. Talk about epic. Well, sort of. Apparently John hasn't
learned from TROUBLED SPIRIT: he's sending a nuclear bomb charged Eagle into
the space brain before he has all the facts! Mistakes first: Where does Kelly's
wife vanish to? Is there a scene missing where she has to be sedated and taken
away from Kelly. One moment she's with him in Medical and the next...she's
vanished from the episode entirely. Much drama has been lost this way. Again,
why don't the Alphans have portable life support machines? Disconnecting Kelly
will cause him to die? Why? John just seems to abandon him, not Helena so much.
The Eagle with the bombs crashes but the bombs do not seem to go off at least
to me. Why can't they be used? Why doesn't the anti body attack and destroy the
entire Moon and crush it, which would surely leave a pressurized Alpha floating
in space and dead too? Why were so many Alphans not running for the underground
shelters and so many were left above and running for their lives (well 5 or 6
anyway)? Why weren't all of them told to put on pressure suits as was suggested
at one point but not every did? Were the Eagles on the pads crushed? Surely
they should have been covered by soap bubbles as they were.
Kelly's speech is a
bit strange. Dubbed? The British actor making himself sound American? Not sure.
IF one can get over the foam and soap bubbles that everyone
finds so ridiculous, there are some really good things going on in this. It
cannot be more different from TROUBLED SPIRIT or COLLISION COURSE. Also the
brain is not evil or trying to destroy the Alphans but trying to avert the
collision. The communication problem is an interesting one and communication
was also a key problem in early LOST IN SPACE episodes, notably THE SKY IS
FALLING. Of course, later episodes of both shows have aliens and Earthlings
talking up storms as if nothing uncommunicated. This also happened in LAND OF
THE GIANTS, the inception of that show had the giants speaking in such tones
(low frequency I believe) the giants could not be understood and maybe even
speaking in a different language. This was dropped in the first episode THE
CRASH after the unaired pilot even had a low whispered "Come back" in
English. Back to SPACE BRAIN: I like it. The conclusion is exciting and
interesting and fun but it is kind of sad. Maybe Victor and John were wrong and
the brain somehow survived and maybe it used Kelly to survive (?). It's a sad
ending really.
The idea of anti bodies reminds me of the movie FANTASTIC
VOYAGE and maybe even one of the animated episodes of FANTASTIC VOYAGE. The
lights dim out in Main Mission but then we see the green lights. Previously,
they were white light. I love John's wild shock look when Kelly grabs him and
lifts him off his feet and gives one of those large across the room tosses 1999
does so well (remember Helena being thrown across the room by Lee's touch? or
by the blast of the warning shot in THE LAST SUNSET?). The exciting climax is
made so by the music used from MARS, THE GOD OF WAR by Holtz I believe. It is
apt and fitting and used more than once in this series. It was also used in THE
TOMORROW PEOPLE-THE DOOMSDAY MEN.
It's kind of gross but also very horrifying and interesting
how the crushed Eagle is refound. I seem to remember this scene was used in
some narrated version of this story on an LP around the time of the first
season being aired. In any case, even though it is called a brain it is a much
more mature version/story than things like the 1950s movies such as BRAIN FROM
PLANET AROUS (not that there's anthing wrong with enjoying such movies). Brain
monsters or rather brain eaters, complete with spinal cord tails feature in
FIEND WITHOUT A FACE (good scary movie) and THE BRAIN EATERS.
Powyrs Media in a move that might not be so bad explains
that the death of this brain (they propose there are more brains out there)
causes so many problems in season two of the show such that the aliens that
need homes (BRINGERS OF WONDER, Vindrus in A MATTER OF BALANCE, the light
creatures in THE BETA CLOUD, and others) need homes due to the brain dying.
Also: powers of energy have spilled out and the LAMDA FACTOR effect (itself a
MUF) came from this. What caused the collision? Powyrs says one of the other
MUFs for its own evil ends. What caused the Eagle to malfunction? Again, same
answer. It makes some sort of sense in a way but I don't like that they blame
the same force that allied itself with Arra (I think; Powyrs universe is most
convoluted).
On a positive note, music and light are used to great
effect; John and Helena really seem to care about each other in a big way,
holding hands, worrying about each other more; Kelly and Melita care about each
other (and it's hard to see how she would have left Med Center without being
carried out), and if you cancel your criticism of soap foam being used and use
your imagination instead and overlook the bubble stuff, this episode is highly
exciting and interesting. Love the space walk stuff even if CATACOMBS site
reports all the mistakes that happen all over it (Alan wearing Kelly's number
because it's stock footage of the same spacewalk, the gravity cancelling out in
the Eagle but nothing floating, etc).
I also like how Victor tries to lure a worried Sandra away
from the foam covered window. That little touch shows humanity.
All in all, another good episode.
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